Saturday, October 6, 2007

THE E-V SUNNY SOLAR ELECTRIC BICYCLE

Canadian Entrepreneur, Peter Sandler, President of Therapy Products and Inventor of the E-V Sunny Bicycle developed the first all Solar electric bicycle driven completely from power derived from the Sun’s Rays.

The E-V Sunny Bicycle has light absorbing Solar panels built right into the Wheels, creating continual power from the Sun’s Rays, and maintaining a constant charge to the batteries. The bike is propelled by a 500 watt front hub motor.

The variable speed electronic controller drives the bike to speeds of up to 30 kilometers per hour. Overall weight of the bicycle is 75 lbs. and comes with 17 amp hr. batteries and a built in battery charger.

Cost of the E-V Sunny Bicycle is $1295.00 and comes with a 90-day warrantee. The cost of the kit starts at $795.00, and the Company provides after sales servicing.

Orders are now being taken for delivery in September of 2006; contact the Company through their email at info@therapyproducts.com , Toll Free at # 1 800-567-9926 or their web site www.therapyproducts.com.

Advocate of the Kyoto Accord

This bicycle is just one of the many new Solar environmental initiatives the Company has developed for recreational and commercial applications. The Company is an advocate of the Kyoto Accord, and their advanced Solar Technology, is creating a positive impact in major cost cutting Energy Savings as well as a Capital Reduction of Air Pollution attributable to the increase in Global Warming, and Greenhouse Gas Emissions.


Wednesday, September 26, 2007

New in Office 2007

New in Office 2007

As you may have heard, there are many major changes in Microsoft Office 2007, including a completely different user interface than in previous versions. Rather than relying on a series of menus, many Office applications now use what's called the "Ribbon," which is a series of buttons with text labels that exposes the important functions of Office, rather than burying them under some obscure menu.

Note: when I say View > Normal View, I mean click on the View tab, and then click on the Normal View button. "Office" means click on the Office icon in the top-left corner of the screen.

Definitions

  • Workbook vs. Worksheet - when you open Excel, a new file is created called Book 1 (until you name it something else). It is called "Book" because it is a Workbook that is initially made up of three Worksheets. Think of a three ring binder with three sheets of paper in it. As with a binder, you can add sheets to your Workbook (Insert > Worksheet), delete them, and re-arrange them. Double click on the Worksheet title to rename it.
  • Cell - cells are the basic rectangular building blocks of a spreadsheet. They are assigned an address, generally referred to as a cell reference, according to their column and row (e.g. the cell in column B at row 3 is referenced as cell B3).
  • Row - rows travel horizontally and are numbered.
  • Column - columns travel vertically and are assigned letters.
  • Formula - a mathematical formula used to calculate a result based on data from one or more other cells. Often they consist of some combination of the standard mathematical operators ( +, -, *, /) (e.g.: =(A1+A5)/B13).but they may also include functions (see below). When you type a formula into a cell, that cell will generally display the result obtained by the formula, rather than the formula itself.
  • Functions - pre-written formulas that perform common (and not so common) calculations, such as summation and averaging. You can combine many functions and operators in a single formula to obtain more complex results (e.g.: =SUM(A1:A13).

Navigating Cells

To select Do this:
a single cell click on it
a range of adjacent cells drag from the first cell to the last cell, or click on the first cell, hold the Shift key and click on the last cell (scrolling if necessary)
non-adjacent cells or ranges hold CTRL (Windows) or Command (Mac) key and click or drag
an entire row or column click on the row or column heading
all cells click on the blank header in the upper left corner
the next cell to the right use the Tab key
the next cell down the column use the Enter key
cells around the active cell use Ctrl + Shift + 8 (Select Region)

Data

Editing, Moving, and Copying Data

To edit data, select the cell(s) to edit then either type data in the active cell or click the I-beam cursor in the cell to edit.

To move or copy data, select the cell or cells that you want to copy or move. From the Home tab choose Copy or Paste.

To transfer the formatting from one cell to another cell, use Paste Special (located right under Paste when you click the down arrow beneath the Paste button). For example, after using a formula, you may want to copy the numeric result rather than the formula. To do this, simply click on the cell that you want to copy and select Copy. Then, click on the cell where you would like the number pasted and click Paste Special. A box will pop up with a number of different options. Under the Paste section, click on the bubble that says Values and then click OK. You can also do this quickly, as a number of often-used options (like Values) are listed in the initial dropdown box.

Inserting, Deleting, and Clearing Data

In Excel, always select then do. Select the cell you want the data to go into and then enter the data (or the formula).

  • To delete or clear data, select the cell or the row or column and press Delete on your keyboard or hit the Delete button on the Home tab.
  • To delete a whole row or column, click on the row number or column letter and hit the Delete button on the Home tab.

Using Autofill

Autofill allows you to quickly fill data in a series (e.g. months, days of the week, or a numeric series) into adjacent cells.

Using Autofill with a text series

To use the Autofill function with text, type in the first word of the series (e.g. January), rest your mouse on the bottom right corner of that cell, and you should see the Autofill cross.

Click and drag the series down or across the appropriate number of cells.

Excel knows how to Autofill months (January or Jan) and days of the week (Monday or Mon). You can teach Excel to Autofill other text series by going to Office > Excel Options > Popular, and then clicking on Edit Custom Lists....

Using Autofill with a numeric series

You can also use Autofill to quickly enter numeric patterns (e.g. 1 2 3 or 10 20 30) into adjacent cells.

To use Autofill with numeric patterns, enter the first two values in the series, one value in one cell and the next in the cell immediately below or to the right. Now select (highlight) both cells, release your mouse button, then rest your cursor on the bottom right corner of the selected area so you see the Autofill cross.

When you see the Autofill cross, click and drag down or across the cells you want to fill, then release the mouse button. Double-clicking the Autofill cross will result in an automatic filling of the cells below until it reaches a blank row.

Autofill becomes important again when constructing formulas.

Controlling Your View of the Data

Auto Size: You may have noticed that sometimes data extends beyond the width of the column. In order to be able to see all of the data, you must widen the column. To do this, go to the header row and place your mouse in between the columns (e.g. on the line that separates the letters A and B). You will notice that your mouse becomes a black double arrow. If you double click on this arrow, the column will automatically size itself to fit the longest string of data in a cell. However, this does not adjust automatically so you may have to Auto Size again after adding more data.

Freeze Panes: Freeze Panes is a useful feature when you are working with a large document that has many rows. By freezing a certain row (usually the header), you make that row visible wherever you are in the document. For example, if you have a document with 100 rows, you can't see the header row when you're at cell A100. To solve that problem, click on the row below the one that you would like to freeze. To freeze the header row, click on the cell in the second row and first column. Then go to Freeze Panes under the View tab (It's important to note you can freeze columns as well as rows. If you just click at an arbitrary point in the second row, not only will you freeze the top row, you'll also freeze all columns to the left of the cell you've selected).

Reveal Formulas: If you want to see and/or print all of the formulas in a spreadsheet (as opposed to the values) there is a really handy shortcut. Simply press Ctrl + ~. To return the view to displaying values, press Ctrl + ~ once again.

Sorting and Filtering Data

You can order your data from the Sort window in ascending or descending order as well as based on multiple header values.

Sorting data is simply a way of automatically re-ordering rows on a spreadsheet to put them in a more useful order. For instance, you might sort an address book alphabetically by last name, or a list of items you'd like to buy from most expensive to least expensive.

Start by selecting the data you want to sort. It's important to select all the columns in the data, not just the column you want to sort by. For instance, if you have a list of items in one column, with the prices in the next column, you would select both columns before running the sort. If your sheet has a "header row" at the top with labels for your columns (like "name," or "price") it's a good idea to include that row in your selection as well, as you'll see in a moment.

Once you have your data selected, click on the Data tab and then click on Sort. If your data has a header row, be sure the "My data has headers" bubble is filled in at the top. Excel will then use your labels in the "Sort by" boxes instead of the usual (unhelpful) "Column A," "Column B," etc. Now you can use the "Sort by" box to select the column you'd like to sort the data by (if that column contains text, it will sort alphabetically; if the data is numeric it is sorted in number order). You can add levels in order to sort by more than one field (by last name and then by first name, for example).

Another way to organize data is to filter it. A filter only displays data that meet a certain criteria, such as all records for a certain day. To do this, go to the Data tab and click on Filter. A dropdown arrow will appear in the header cell of each column of your worksheet. Click on the arrow and select the criteria that you would like to use as a filter (e.g. April 10th). The worksheet will now display only the records from that day. You can also use the Filter tool to display the top or bottom 10 numbers in a column, only records with blank spaces in that particular column, records that have a value greater than a certain number in the column that you are filtering, etc. These options are all available under the dropdown arrow that you will see after going to the Data tab and clicking on Filter.

Formulas

Select the cell that the formula result is going to be displayed in. The formula can be constructed in the formula bar. Always need to put the = sign before a formula. That is how Excel recognizes what you are entering as a formula.

Sign Operation Example
+ Addition =A1+B1+C1+D1
- Subtraction =A1-A2
* Multiplication =C4*C5
/ Division =C4/D4
(...) Combination =A1*(B1+C1)

Click on the checkmark to enter the formula, the x to cancel the formula.

Autofill with Formulas

Autofill helps you fill in formulas quickly once you have constructed one in a cell. In order to Autofill, select the cell with the formula. Place your cursor so the small black cross appears in the lower right corner of the cell (+). Once that cursor is visible, simply drag your formula down the column (or across the row as the case may be). Autofill will change the cell references accordingly.

Note that cell references can also change automatically when you copy and paste a formula using the clipboard, unless you use an absolute cell reference (see below).

E.g.: If the formula in A3 is =A1+A2, when you drag that formula over to B3 then the formula becomes =B1+B2.

Cell References

  • Relative Cell References: cell references that change when the formula is autofilled into different cells, as in the example above.
  • Absolute Cell References: if you don't want a certain part of your cell reference to change when you copy the formula to a new cell, you need to put a $ in front of that part (see example below).

E.g.: If the formula in A3 is =$A$1+A2, when you drag that formula over to B3 the formula becomes =$A$1+B2.

AutoSum

The AutoSum button on the Home tab allows you to quickly insert the SUM function. Select the cell where you want to put the total and then click on the AutoSum button ( ). Excel will insert the SUM function and take a guess as to what cell range you'd like to sum. Check to make sure the cell range is correct, then press enter to accept the function.

Functions

Excel has created hundreds of functions that prevent you from having to write out complex or repetitive formulas yourself. The cells that you want to perform the function on are either listed, separated by commas, or included in a range of numbers, indicated by a colon in between the first number in the range and the last number in the range.

Functions can be inserted by manually typing them in, by clicking on the Paste Function button on the Ribbon (if you're copying one from somewhere else), or by typing = in the formula bar and choosing the function from the drop down list on the left.

Functions can also be 'nested'; that is, inserted into larger functions, by using the appropriate amount of brackets. =AVERAGE(SUM(B2:F2), SUM(B3:F3))

The Function Wizard

You can quickly generate valid functions using the function wizard. To open it, click the function wizard button in the formula bar (looks like a "fx" symbol). It provides a description of the function you select, a space for you to enter in the range or numbers and previews the Formula Result. You can select a range from your sheet rather than typing it in manually by clicking on the little button with the red arrow to the right of the Value box.The function wizard allows you to build custom functions to suit your specialized needs. It also offers many built in functions which you can utilize.

The Function Wizard is best used when you know Excel probably has a certain functionality, but aren't sure what the function is called exactly or how to use it.

AutoCalculate

Excel will automatically perform calculation on a set of cells that you select and display the results on the status bar. The default calculation is the SUM function, but you can change the calculation by right-clicking on the AutoCalculate result.

Using Natural Language Labels

Excel has a convenient labeling feature which allows you to name your cells, columns and rows. You can then use your names to build formulas and functions in place of the cell references. For example, you can label one cell "length" and another cell "width," and then the formula =length*width would find the area of whatever you're measuring. You can also assign names to data ranges. For instance, you could select cells A1:C14, then go up to the Formulas tab and click on Define Name, where you can set a name for the range. You can then use that name in formulas and functions. Just keep in mind that the names you define cannot have spaces, so use an underscore if necessary. All names are defined using Define Name (an alternate way is by selecting a range of cells and then typing in a name in the dropdown box to the left of the formula bar).

3-D References

"3-D" references allow formulas on one worksheet to access data on another worksheet. (You can even link a formula to a cell in a completely different workbook, although unless you're working on a very large project this generally isn't worth the hassle.) Using your mouse, you can easily use data and formula results from other worksheets in your formulas and functions. The fastest way to do this (when composing a formula) is to move to the worksheet that has the information you want to use, and then click on the cell. The result will look something like what's below (you can then add operations/more data, or simply hit Enter). Excel will accept the data from another sheet, no problem.

A cell reference within the current worksheet A cell reference to the Budget worksheet
B5 Budget!B5

The Chart Wizard

A full discussion of Excel's many charting options is beyond the scope of this handout. However, it is fairly straightforward to create a simple chart (and some complicated ones) using the chart wizard. Just highlight the data you wish to base your chart on (including header rows, if you have any) and click on the appropriate chart button under the Data tab. If you use the old F11 shortcut, a chart will be created automatically for you.

Once the chart is created, a new Chart Tools section is added to the right side of the Ribbon. The three tabs therein (Design, Layout, and Format) allow you to make different kinds of changes. Roughly speaking, Design allows you to make changes to the basic options regarding the chart (whether it's a worksheet or an object, what kind of chart is it, etc.), Layout allows you to add/edit/delete chart items like the title, legend, and so on, and Format allows you to change the appearance of the chart.

Pivot Table

A pivot table is a great reporting tool that sorts and sums independent of the original data layout in the spreadsheet. It is an interactive representation of a data table. One can rearrange the data and choose what to display and what to hide. The best way to find out what a pivot table can do is to create one.

First, set up categories and create some data (See Table 1):
Table 1: Original Data| Who | Week | What | Amount Spent |

Joe 3 Activities $18
Beth 4 Food $17
Janet 5 Activities $14
Joe 3 Food $12
Joe 4 Activities $19
Janet 5 Car $12

Now choose any cell in this table and choose the Insert tab, and then Pivot Table (and select Pivot Table from the dropdown box that appears). Excel asks for the data source and suggests this table, and asks if the table should be placed in a new worksheet. New sheet should be selected, which is fine. Click OK.

Figure 1: Arranging data on the table.

Drag the headers Who, Week and What into the Row Labels area, and the Amount header into the Values area. To change the placement of an item, drag the header title to the desired area. If the Amount tag does not show "Sum", click it and choose Value Field Settings... and then select the Sum option. Clicking the headers gives options of showing/hiding specific data (like Empty and Activities, may come in handy) and removing subtotaling for this column.

There are other ways to view the data, of course. Instead of the current view, try dragging Who into the Row Labels field, What into the Column Labels field and Amount into the Values field. This table is also very useful for graphing.

Pivot tables are very flexible. The one being built here has four variables: Who, Week, What, and Amount, all of which can be dropped in header or data areas represented by the blue borders.

Printing

The page breaks can be changed on an Excel spreadsheet so that it prints a bit nicer. This can also help to reduce the number of pages that get printed.

  1. First, check out how it is currently set to print with Office > Print Preview.
  2. Second, if you want to change the page breaks, click View > Page Break Preview.
  3. Now you will see the spreadsheet broken up by dashed lines with a faint page number in each region.
  4. You can move these dashed lines to change the page breaks.
  5. Do Office > Print Preview again and you will see how the change affects the printing.
  6. To returen to other views, click on the View tab, and you can return to the Normal view or Page Layout view.

What if you want to print only part of the spreadsheet?

  1. Highlight the area that you want to print.
  2. From the Ribbon, select Page Layout > Print Area > Set Print Area
  3. Now when you go to Office > Print Preview, you will see only the area that you highlighted.
  4. To go back to printing the entire document, use Page Layout > Print Area > Clear Print Area

Not able to highlight the region you wanted to print?

  1. Go to Page Layout tab and click on the downward right arrow on the Page Setup section. This will open up the Page Setup screen.
  2. Click the Sheet tab.
  3. In the box marked "Print Area" you can click the tiny spreadsheet icon.
  4. This will reduce the box and allow you to highlight what you want (or something close to it).
  5. You will see the cell range appear in the "Print Area" box.
  6. Edit the string to get it to cover what you want, and click on the icon at the end of the box.
  7. Now hit Office > Print Preview.
  8. Remember to remove these settings if you want to print something else.

Troubleshooting

Common sources of errors are parentheses that don't match or missing arguments for functions. If your formula is free from those errors, here are some error values you might get:

###### There is nothing wrong with your formula; the cell simply isn't big enough to display the result. Widen the column.
#DIV/0 You are trying to divide by zero
  • Correct the divisor
  • If the divisor is a cell reference, check to make sure the cell isn't empty
#NAME? There is a name in the formula that Excel doesn't recognize.
  • If you used a natural language name, check the spelling
  • If you typed in a function, check the spelling or verify that the function exists.
  • If you are performing operations on text, enclose the text in double quotation marks
#REF! A cell reference is not valid. Reenter the formula.
#VALUE! The formula uses the wrong type of operand or argument. Check to see that you're not performing math operations on labels or that arguments of functions that need to numeric are not referring to cells containing labels.

Tuesday, September 25, 2007

Spirograph Effect

Remember the Spirograph? Relive your childhood memories with this simple yet stunning effect. Learn the "Ctrl+d" shortcut to save tons of time with repetitive tasks and try out some different brushes to get some cool variations on the same idea.

Step 1: Create a new document, it doesn't matter what size, because you can resize vector graphics to any size you want without losing quality. Then, using the Ellipse Tool, draw an ellipse shape - it doesn't have to be a perfect circle.

Step 2: Select your ellipse. Using the Rotate Tool, click an inch or so below your ellipse. This sets the point around which you will rotate your ellipse. Now click and drag, starting somewhere above your ellipse and moving to the right. Hold the ALT key, then release the mouse button (this will make a copy of the ellipse). You should be left with two ellipses side by side in slight rotation.

Step 3: And for the cool part, just keep pressing CTRL+d (CMD+d for macs) to repeat the last step over and over until you have a "circle of circles". For more excitement, if you can handle it, just hold down CTRL+d for a while. And that's all there is to it!

NOTE: Don't forget to try different shapes, rotation angles, and stroke & fill. Take a look at the bottom-right image for the same starting ellipse with the 'Text Divider 15' brush applied to the paths.



SOURCE= http://www.biorust.com/tutorials/detail/265/en/

Cool Grunge Signature - Photoshop tutorial

. First open a new document that is the size you would like your sig to be, I used 200x400px, and make sure your colors are black and white by pressing (D). And go to Filter > Render > Clouds. Press ctrl+f to randomize this until you get a design you like. Remember that these clouds will be the basis for your layout of your sig, so do it until you feel it looks right.



2. Take a grunge brush set (you can find one at http://glitter-tramp.com/juuichi/ or just create your own, but that takes time and is frustrating if you don’t like the result) and fill the canvas with white brush strokes from these brushes. They should create an old and outdated "grunge" look. Next, right click the layer and click blending options. Enable the drop shadow at default settings to give an added effect.



3. At this point you should have a render or stock photo in mind. I am going to use a halo render from planetrenders.net. Due to the fact that I like my grunge sigs to have a dirty look I am going to use a orange/brown background by creating a Color Balance Layer (Layer > New Adjustment Layer > Color Balance...). Play around with the colors until you are satisfied for your own.



4. At this point I duplicated the render and with the duplicated layer, applied a Gaussian Blur (Filter > Blur > Gaussian Blur) at 6.0 px and decreased the opacity of the layer to 20% through the blending options of the layer.



5. Next select the layer with your render on it and click "Add Layer Mask" in the layers palette. Use the Black and White gradient to fade parts of the render in and out. This will help to blend the render in with your background and look like it is one with the background.



6. Next we will add the text, the hardest part of a grunge theme sig. For mine I used a simple text (Lucida Sans) because I could not find any that fit in with my theme, hopefully you have better luck. I still managed to get this font to work. First duplicate your text layer and play with the blending options on the duplicated layer. Next move the original text to the front and lower the opacity so you can see the lower text easier, Then link the two together and merge them together. Take back out your grunge brushes, except this time through the eraser tool, and take off little specks of your text to make it have the grunge feeling. You just created your own text!

7. Put this text in a corner and adjust the size accordingly and you have your own sig. Select your background layer, right click it, and select blending options yet again. Put a 1 pixel black stroke on the inside part of this layer. Now sit back and enjoy your masterpiece that you have created. Hope this helped you to create your first grunge sig.



Source: http://www.tutorialhero.com/tutorial-9-cool_grunge_signature.php

Sunday, September 23, 2007

OpenOffice.org 2.3.0 released already

OpenOffice.org 2.3.0 released already

Jump to Comments

The official release date for OpenOffice.org 2.3.0 is September 17th, 2007 but has it already been released for the public. Yes it has and I’m really exited about it. This new version an be downloaded from several mirrors such as OSUOSL. Choose “OpenOffice.org-2.3.0″ as the distribution, your platform and language.

Several new features have been introduced and they can be read about i the release notes here. Among the features are performance improvements, a new charting wizard and the ability to create Wiki pages. It can be done using a new filter in the OpenOffice.org Writer. Can’t wait to try out that function.

Effects ›› Amazing Abstract Background - Photo

Step 1: Create a new file, 500x500 px, with the Black background. Then use The Gradient Tool to make like this



Step 2: Go to Filter -> Distort -> Wave, leave the default settings (or you can change to your favourite), press OK



Step 3: Press Ctril-F 9 times, you will have



Step 4: Press Ctril-J to create Layer 1. Then Transform -> Rotate 90 CW. Use Blend Lighten for this Layer 1





Step 5: Press Ctrl-Alt-Shift-T 2 times to make 2 copies of the layer 1.



Press Ctrl-E 2 times to merge down to layer 1. Now we only have the Layer 1 and the Background



Step 6: Double click on Layer 1, click on Gradient Overlay. Choose any color you like. Make sure that the Blend mode is Overlay. Press OK



Step 7: Change the Blend mode for Layer 1 to Screen, and we have the final result

Metallic Styles in Photoshop

Metallic Styles in Photoshop

In Effects by Collis

In this tutorial we're going to create a metallic effect using layer styles and gradients that you can apply to different objects. We'll put it on a nice background and create a style for lettering that makes it look like it's embedded into the metal. You can download the sample PSD file from the link at the bottom of the tutorial if you'd like to simply copy+paste the layer styles.

Step 1:

BACKGROUND LAYER

We start as always with a background gradient. I've used a Radial Gradient with two shades of a lovely light green. The exact colour codes are:

Foreground colour - #93cc1a
Background colour - #7eb704

Step 2:

To give our background a bit more oomph we will next fade it off at the edges. So using a big soft brush and a foreground colour of black, create a new layer and just go around the edges as shown.

Then switch the layer to opacity 30%.

Step 3:

Now duplicate that last layer of black edge and go to Filters > Blur > Gaussian Blur and use a setting of 20px to blur out the layer and give it a softer effect.

You may be wondering why we didn't just use a different radial gradient in the first place, and indeed you probably could do that. I like to use this method on the edges as it's more precise.

Step 4:

Now to get a bit of background effects I grabbed a font called "TW Cen MT (T1)" which I think might be a default font, and just made two "S" letters. I used the colour #cecfd0 and then made them gigantic and set the layers to "Multiply". This created some nice curvy shapes in the background.

Step 5:

Now I need a shape to use my metallic effects on so using the Custom Shape Tool (U) I select this "Fleur de lis" shape to use because it's a reasonably complex and nice shape. Again I used the colour - #cecfd0 - because it's a nice light grey to base our metallic effect on.

Step 6:

To start the mettalic effect right click on the layer and choose "Blending Options".

First add a drop shadow to lift the shape off the background. The key to drop shadows is to NOT make them too full on. A good drop shadow should be subtle. I often don't use black, but rather a variation of the background colour, so in this case a dark green.

Next we add a Stroke. I've used an "inside" stroke of 4px. But the key here is to switch "Fill Type" to "Gradient" and then use a nice gradient of grey and white.

The reason we do this is that if you look at metal in real life you'll see that it tends to go from light grey to darker grey to light grey and there's a lot of different shades. It isn't one single flat colour. Actually nothing in real life is a single flat colour, but that's another story.

So to get some realism we need these gradients. But also you don't want a full on gradient. Subtlety is the name of the game when it comes to gradients. make it soft changes. So here I've gone from white to that same light grey we used for the shape itself and back to white and back to grey and back to white.

Step 7:

Next to counter the stroke gradient, we add a "Gradient Overlay" using the same gradient. This appears on the main body of the shape and you can see how it contrasts really well with the stroke on the edge to make a metallic shine effect.

Step 8:

Finally to get a chromy effect we'll use the Bevel and Emboss tool, set to an Inner Bevel with a huge size and an odd "gloss contour". I must admit I made this just by experimenting, so there's no special reasoning behind it, just move the sliders around until you get some nice reflections happening in the middle of the shape.

And now we have our metallic style! You can copy and paste the style by right clicking on the layer and selecting "Copy Layer Style"

Step 9:

To finish off I added a black band up the top and then drew a rounded rectangle over it with the usual grey, applied my metallic style by pasting the style on to that layer.

Then I added some text saying "Metallic Style" and created a new style for the text. With the new style I used a different bunch of settings as follows:

Inner Shadow - Because I want the letters to look like they are punched into the metal I add an inner shadow. Make it nice and subtle though, not too full on!

Gradient Overlay - Because gradients make things look more natural, but again subtle colour changes only!

Stroke - Again I use a gradient stroke, however this time it is an Outer Stroke and it is a gradient going from dark at the top to light at the bottom. The reason for this is that it makes it look like the letters have an edge where they were punched into the metal. And it looks like there is light coming from the top and landing on that edge so that one side is lit up and the other is in a bit of shadow. This gives it a much more metallic effect.

Step 10:

And there you have it, the finished product, a nice pair of metallic styles!


3d tentacles

Step 1

Create document 250x250 pixels. Fill it with #B9CCD9 color. Create a new layer name it "tentacle". Select rectangular marquee tool [M]. Make a shape similar to mine 18 width and 240 height pixels. Fill the selection with BLACK. Don't deselect it until I tell you.


Step 2

Create a new layer above the tentacle layer. You don't have to rename it. I hope you have the selection still active. Fill it with #FCFCFC color. Now You should have two layers : Layer 1 and tentacle layer. Similar to the image on the left.


Step 3

Now apply Gaussian Filter to Layer 1. Filter>Blur>Gaussian Blur with radius 4. Merge both layers CTRL+E. Now you have one layer called tentacle. You can deselect your selection selection now.


Step 4

Now all we have to do is distort it. Edit>Transform>Distort. Select right-bottom corner and using SHIFT+ALT move it to a little to the center. Do it the same with right-top corner but this time move it to the right. Watch my image.


Step 5

Add Shear filter. Filter>Distort>Shear. You can make your own or use my settings.


Step 6

Here is the most important part of this tutorial.

Add Plastic Wrap. Filter>Artistic>Plastic Wrap.

Settings: Highlight Strenght : 9
Detail : 9
Smoothness : 2

TIP: The trick is to add light which goes from top to bottom. It makes tentacle looks like 3D tentacle. If you want to make smaller or bigger tentacle just play with these settings.




Step 7

Add some shadows. Use layer style - drop shadow with these settings:

Blend Mode: Normal
Color: Black
Opacity: 30 %
Angle: 90
Distance: 2
Spread: 0

Size: 5


Step 8

This is the best part. We are going to cover this tentacle with BLOOD. Download some bloody brushes or use your own. I suggest you visit deviantart.com. There is a lot of great bloody brushes. It doesn't have to be blood. You can draw some spots using standard brushes. Create a new layer and name it "blood". Change the foregound color to #A2171A and splash some blood on the tentacle. Don't cover the whole tentacle.

(edit: Brushes available at www.angryblue.com)


Step 9

Set the blending mode for the "blood layer" to Color Burn. While still on the blood layer hold CTRL and select "tentacle layer". Inverse a selection CTRL+SHIFT+I and hit DELETE. Now add some adjustments : Image> Adjustments> Brightness&Contrast and enter Brightness -25.

Sharpen "tentacle layer". Filter>Sharpen>Sharpen. WOW!




Step 10

Final step is to add more blood spots to the background. Using this technique you can add anything to a tentacle like slime. All you have to do now is duplicate it.

REMEMBER : The key is to properly set Plastic Wrap Filter. Add more tentacles and have fun. Just be creative!

Congratulations, Your done!

Sunny Day Effects

September 22, 2007
Sunny Day - 1
In this tutorial I'll show you how to represent the wallpapers by imitating the vector style, create the effect of luminescence, create several types of rays, learn how to use the layers and decolorize the picture. I'll show you also how to work with layer's masks.

Create a new file of standard size wallpapers: File ? New (ctrl+n).



Paint the background's layer with the color you want to be there, choosing the Paint Bucket Tool.



Open in a new window the picture of the sky: File ? Open (ctrl+o).



Mark the picture out with Rectangular Marquee Tool and make a copy of it: Edit ? Copy (ctrl+c). Get back to the wallpapers window to insert the copy on a new layer: Edit ? Paste (ctrl+v). Make a correction of the new layer's size, applying the command: Edit ? Free Transform (ctrl+t) and decolorize it, selecting the best version of Channel option in the next window: Image ? Apply Image.



Change now the layer's Blending Mode on Screen and minimize the Opacity till 90%.



Create a new layer again (Layer ? New - Layer) to decolorize the angle the sun is situated on, choosing the Gradient Tool and changing the layer's Blending Mode on Soft Light.



Sunny Day - 2
Start representing the sun. Create firstly a round marking with Elliptical Marquee Tool, pressing the shift button and paint it out with the Gradient Tool, changing the gradient's type. Create after that a new layer again and represent on it an oval which must be painted too. Make many copies of the layer in case: Layer ? Duplicate Layer (ctrl+j). Use then the next option Edit ? Free Transform (ctrl+t) to place the rays around the sun.



Insert the flares, applying the same instruments.



Create a new layer again and group it out with the layer the sun is situated on: Layer ? Create Clipping Mask (ctrl+g). Create one more marking on the sun's surface and paint it out in white color. Change the layer's Blending Mode on Soft Light.



Combine all the layers composing the sun: Layer ? Merge Down (ctrl+e), and make a copy of the new layer (ctrj+j) and then make the lowest copy look totally white, using the next option: Image ? Channel Mixer:



Blur it out with Filter ? Blur ? Gaussian Blur.



Then make two copies of the layer just to make the luminescence more intensive:



Sunny Day - 3
Select a brush of grass shape from the standard set of brushes and two different green nuances to insert the grass along the lowest edge of the wallpapers.



Make it darker a little with Image ? Adjustments ? Hue/Saturation (ctrl+u).



Decolorize the grass' upper part on a new layer, using the usual Gradient Tool.



Change the layer's Blending Mode on Soft Light.



Then we have to create a new layer under the sun's layer and set the next shown Gradient Tool's adjustments, selecting the colors of the stripes by pressing Randomize button.



Create a kind of stretching, coming from the sun's central part and then make the layer look totally white with the Channel Mixer option.



Minimize after that the quantity of the stripes and represent one more new layer to paint it out under a different angle this time.



Sunny Day - 4
Now we have to mark out the rays placed on the layer in case by clicking on the layer and holding the ctrl button. This way we'll move off the markings, passing on the previous layer and after that on the auxiliary one: Layer ? Delete ? Layer.



Move off the rays situated above the grass by creating firstly the layer's mask: Layer ? Add Layer Mask ? Reveal All. We may apply also the Gradient Tool of black color to hide them if that is necessary.



We may select the next command also Layer ? Remove Layer Mask ? Apply. Create a new layer above the background's one to represent there one more type of rays, choosing the Polygonal Lasso Tool and Paint Bucket Tool.



We must also make the layer's Opacity smaller till 15%.



The Ellipse Tool will be helpful in adding several circles on a new layer:



On the grouped layer with the previous one (ctrl+g) we'll decolorize the rays a little:



Sunny Day - 5

Insert several flares by creating a marking with the Elliptical Marquee Tool.



Dark out the lowest part of the circles on a new layer, creating a figure's marking with the Pen Tool and the Make Selection command, painting the marked zone in black color and changing the layer's Blending Mode on Soft Light.



Next step includes downloading a set of ready to use brushes containing people figures (download them from here: http://www.deviantart.com/deviation/30251378/ ?qo=239&q=in%3Aresources%2Fapplications%2Fpsbrushes+sort%3Atime+people). Place them on the circles (ctrl+t).



When downloading a set of ready to use brushes containing the stars (http://www.deviantart.com/deviation/24842912/ ?qo=200&q=in%3Aresources%2Fapplications%2Fpsbrushes+sort%3Atime+stars) we may add on the illustration a little more brilliance.



Apply the here shown command Edit ? Stroke for the layer containing the circles.



Insert on the picture several ornaments, downloading a set of ready to use brushes also (http://www.deviantart.com/deviation/48541544/ ?qo=83&q=in%3Aresources%2Fapplications%2Fpsbrushes+sort%3Atime+flowers).



Finally the illustration is finished!

Click Fullsize Image